#European Festivals Association

[makingspiritualityreal]

9th and 12th Houses - How Far is Foreign?

An insight, that adds to depth of understanding of Astrology through diving into Vedic resources is the change in perception between the 12th and the 9th house.

In popular Astrology circles, both of these houses are commonly associated with foreign lands. However, as you explore the meaning of these houses more, you begin to understand them deeper in polarity with their opposite.

The actual house of foreign, far away travel (or relocation, depending on the chart) is the 9th house. That is because the 9th house is the opposite of the 3rd house.

Say you are European, and you lived your whole life in Europe, and you travelled around different European countries to explore the continent. This is the 3rd house. It is the expansion beyond your local home country into exploring its nearest cultural environment, and at the end of such a pilgrimage, you end up with a personal understanding of your individual, cultural identity, which moves you to its emotional interpretation in the 4th house.

But then lets say you travel or move from Europe to Asia, either of the American continents, Australia…take your pick. This is the activation of the 9th house. Because you are no longer exploring just the back yard of a culture with a certain degree of similarity, you are entering a completely new physical world.

This is why houses 9, 10 and 11, and 12th to an extent, are found in charts of famous people. You need to be able to participate in an energy, an idea, that is going to spread into foreign lands to truly be famous. This applies even if we’re talking about online success, which is the way people get recognition nowadays. Otherwise, you are at best a local singer on your continent or your country’s music festival. There is nothing wrong with that of course, as many people love to contribute to their community and they’re happy doing so, but it’s still an accurate observation. You need to be able to go far away, not strictly physically but energetically, to touch a variety of people from many cultures.

You might wonder, how does the 12th house fit into this? Clearly, it’s part of the whole 9th, 10th, 11th and 12th house group, so it should also rule foreign lands. But the 12th house is actually more than that. The 12th house rules a fantastical, foreign idea, that might not necessarily be grounded in the immediate physical, but is nevertheless energetically real and can be accessed from anywhere. It’s the idea of the collective emotional consciousness, that may not have the most quick and obvious material manifestation but is nevertheless a very real thing existing within this Universe.

Up until the 11th house, through 9th and 10th, we are dealing with more or less tangible ideas regarding foreign lands. Let’s say in the 9th house you relocated to a completely foreign culture, in the 10th house you found a way to tangibly join the most prominent physical environment of the world through that culture, in the 11th house you met some of the most prominent, affluent people in the world. I don’t have any 11th house planets, but to give you an idea of how it works, my husband has Venus conjunct Mars in the 11th house, we live in the Las Vegas area, and he plays sports and is casually friendly with some of the wealthiest people in the world, who own successful businesses, own several properties across the world, and spend a lot of their time either making a lot of money or travelling the world, or both. We are not one of those people, but it should give you an idea of what the 11th house is. It’s the creme de la creme of the physical world. I don’t personally interact much with these people, as they are my husband’s friends, not mine, and I don’t play sports with them, but I have a deep awareness of how advanced socially and financially this particular group is, having travelled to many poorer parts of the world. There are people in this world, starving, so in comparison to them, the 11th house society is the top 1% of 1%.

You might think, well, the 11th house is everything, so how can the 12th house be more? The 12th house is more because it sells something even the 11th house people can’t resist, it sells the ultimate fantasy.

In the 12th house we move on to people so wealthy, they barely even interact with others. We move to intangible concepts, physical areas and objects, that provoke people to spend obscene amounts of money simply due to some idea. The 12th house is not just real foreign travel like the 9th house, it is the embodiment of the realisation of all fantasies. That is why Venus is so happy in the 12th house, because it enjoys the ultimate idea of fantastical luxury.

The foreign area that we travel to in the 12th house is not this globe, it is deep inside us. By the time we realise all our fantasies in the 11th house we can feel tired, or even jaded. But in the 12th house we are stimulated to all of our secret, hidden desires being provoked and coming true. This can be done not only within our home, within our room, but completely within our minds. Those, who are successful in the 12th house are those, who made those fantasies concrete enough to realise them and live within them.

What if you could taste and smell the finest perfume created on this planet from purely natural oils? What if you could touch the finest fabrics, created in corners of the world you never even dreamed of? What if you could live this dream, every day, surrounded by an infinite kaleidoscope of the pinnacle of perfection achieved by our planet until this time? “What if?” is the exotic, “foreign”, “far away” dream of the 12th house, and a well realised 12th house is a dream come true.

To offer up an example, in the last few years, youtubers living in rural areas from all over the world have popped up on the internet, offering videos from their seemingly idyllic life. That is the definition of the 12th house fantasy, devoid of the actually reality of having to take the 9th house physical pilgrimage of travelling to rural China and enduring all the difficulties involved with facing the reality of such a location. It may seem idealised, yet the source material for filming is real, so while it may be distant from the viewers geographically, while it may cost the locals a lot of work, it is nevertheless part of an actual, existing reality.

This dream, that can seem excessive to a mundane mind, becomes even clearer in the context of the 12th house’s polarity, the 6th house. The 6th house is the tough battle of dealing with the ugliness and conflict of this world. That is the reality of this physical world for most of us, we get up every day and deal with conflicts, that we have in front of us. It is exhausting, and so the 12th house is everything that heals and soothes the pain of any conflict that ravaged us in the 6th house. It’s the world offering no resistance, it’s all boundaries being breached. After all, in our dreams, or fantasies, we want everything to be perfect and smooth.

Ironically enough, the karaka of the 12th house is Saturn. As someone with significant 12th house influence, it is pretty clear to me why. In order to have only the finest dream come true, to really live in a beautiful fantasy, one actually needs to do a lot of research, be picky, critical and have background expertise and know-how. Otherwise, even as just a consumer, you would be easily fooled, hoodwinked into a fake product, or end up overpaying on something, that is not worth the money you invest into it. Scrutiny of Saturn is necessary for our fantasies to be smooth. It is not something, that is given to us that easily. Saturn also rules isolation, and if the 9th house is foreign, the 12th house is the pinnacle of remote. The 9th house is what is foreign and exciting to us, mentally and physically, but the 12th house represents the most remote corners of both the physical world, and our minds.

This is why the 12th house is the furthest away from the 1st house, our basic, natural, physical life. Because the furthest thing on this planet is not just a foreign continent, it’s a journey inside our minds and emotions, the ability to blend discernment and internal surrender to divine perfection, that leads to manifestation. It is the full depth of untapped potential on the very bottom of our subconscious, a research and response to all collective energetic resources available on the planet, a gold mine waiting to be explored, exploited, and enjoyed. And it is tapping into this gold mine, that has the power to tempt, seduce, and attract people from all around the world into directing their energy towards us, even if we’re physically just sitting in our room, far away from them.

[breelandwalker]

Buck Moon - July 20-21, 2024

Put on your flower crowns and your walking shoes - it’s time for the Buck Moon!

Buck Moon 🦌

The Buck Moon is the name given to the full moon in the month of July and is called this because at this time of year, the rack of antlers previously shed by male deer are beginning to regrow and harden in preparation for the fall rutting season. 

Other North American Indigenous names for this moon include Salmon Moon (Tlingit), Berry Moon (Anishinaabe), Month of the Ripe Corn Moon (Cherokee), and Raspberry Moon (Algonquin, Ojibwe). The West Abenaki also call this the Thunder Moon in reference to the often-stormy summer weather. (This one is my personal favorite and the name appears in lunar calendars just as often as the Buck Moon.)

European names for the July moon include Hay Moon and Wort Moon, and it should be noted that the name Stag Moon does appear in some European sources as well.

This year's Buck Moon will be at peak illumination at 6:17am EST on July 21st, so the moon will appear to be full on both the 20th and 21st. Also, it's a weekend, so plan your festivities accordingly!

What Does It Mean For Witches? 🦌

The July full moon continues June’s template of planning for the future, this time with a focus on your passions and ambitions. Reflect on what you’ve accomplished so far this year and plan your next step.

Dream big and plan big, but don’t give in to reckless urgency. Summer (and capitalist grind culture) gives us the urge to Go Go Go. Despite all this, it’s important to take time to rest and recharge, lest we find ourselves burning out and losing our motivation.

What Witchy Things Can We Do? 🦌

Celebrate your victories and revel in the abundance of the summer season. If you’re inclined to do so, take a page from the deer and do a bit of prancing around a bonfire or your favorite flower arbor with some festive flowery headgear.

Go exploring! Find a local park or garden and take a stroll among the greenery, or use TV and the internet to explore and learn about faraway places. This is another opportune time to go and check out pick-your-own farms and farmers markets as well. Sharpen your foraging and plant identification skills while you’re out and about!

If you’re tending a garden, harvest some herbs and investigate what you can make with them. Whether it’s seasoning for meals, homemade botanical products, or just helpful spell ingredients, many herbs and flowers have a plethora of uses. As an exercise, select three plants growing in your yard or garden, research their magical correspondences and botanical properties, and try to think of as many ways as possible to use each one for witchcraft and for practical purposes. For extra credit, pick something native to your area that doesn't appear in the western magical canon and use its' physical, folkloric, and historical associations to create something new!

(Safety Note: Always clean and prepare home-harvested herbs properly before using them for kitchen, bath, or medical preparations. Always be sure to properly identify any wildcrafted or foraged plants. Always consult a doctor before trying an herbal treatment and take all allergies, medications, and pre-existing conditions into account. Please also note that while herbal treatments can be helpful, it can have negative interactions and side effects just like any other medication, and it is not meant to be a replacement for modern medical care.)

Apart from the usual full-moon festivities, I’ve always found this is an excellent time for weather-witching. Summer weather is notoriously fickle, but it is also highly malleable - one recalls that old American Southern epithet of, “If you don’t like the weather, wait five minutes.”

If you’re hoping to bring some rain to water your garden or break the back of a heat wave, this may be the time to do it. My personal favorite folk magic ritual for rain-calling involves going outside with a broom and a bucket of water, using the broom to scatter drops of water over your yard, and shouting up to the clouds, “SEE? IT’S NOT HARD!”

Make sure you take local weather patterns into account and try to draw on existing fronts and nearby precipitation to get the desired result. And keep in mind that with weather magic, less is more and one casting is enough. Asking for too much or asking too often can produce undesirable results. And if you manage to make it rain, be sure to collect some for moon water!

If you’re interested in weather-witching, I highly recommend checking out this masterpost by @stormbornwitch for a number of excellent articles and suggestions.

Happy Buck Moon, witches! 🌕🦌

Sources and Further Reading:

Bree’s Lunar Calendar Series

Bree’s Secular Celebrations Series

Witchcraft Exercise - Creating Correspondences

Buck Moon: Full Moon in July 2024, The Old Farmer's Almanac.

Buck Moon Bonanza: Embrace July’s Massive Energy!, The Peculiar Brunette.

Everyday Moon Magic: Spells & Rituals for Abundant Living, Dorothy Morrison.

(If you’re enjoying my content, please feel free to drop a little something in the tip jar or check out my published works on Amazon or in the Willow Wings Witch Shop. 😊)

[mangakachan]

Back to Sailor Moon for the floriography series! First up is Saturn! 🪐

The flower I chose for Saturn is the white chrysanthemum. White chrysanthemum flowers are commonly used in funerals in East Asian and some European cultures, and is associated with death, bereavement, and condolence. However in Chinese culture it is also associated with the traditional Double Nine Festival, a festival that celebrates one’s ancestors and during which people pray for health and a good harvest. In that context, chrysanthemums, and wines made from the flower, are associated with health and longevity. The two paradoxical meanings is a nice fit for Saturn, the herald of death but also of rebirth.

[kdrtsz]

Travel the World of Imagination: Journeys Beyond Border

Kieth Denmark M. Retes | BSIT1A OVERVIEW:

Switzerland originates from the Old Swiss Confederacy established in the Late Middle Ages, following a series of military successes against Austria and Burgundy; the Federal Charter of 1291 is considered the country's founding document. Swiss independence from the Holy Roman Empire was formally recognized in the Peace of Westphalia in 1648. Switzerland has maintained a policy of armed neutrality since the 16th century and has not fought an international war since 1815. It joined the United Nations only in 2002 but pursues an active foreign policy that includes frequent involvement in peace building.

Switzerland is the birthplace of the Red Cross and hosts the headquarters or offices of most major international institutions including the WTO, the WHO, the ILO, FIFA, the WEF, and the UN. It is a founding member of the European Free Trade Association (EFTA), but not part of the European Union (EU), the European Economic Area, or the eurozone; however, it participates in the European single market and the Schengen Area. Switzerland is a federal republic composed of 26 cantons, with federal authorities based in Bern. references: Switzerland - Wikipedia

Switzerland, a small yet influential country nestled in the heart of Europe, stands out in many ways. From its awe-inspiring landscapes to its unique political system, Switzerland offers a blend of natural beauty, cultural diversity, and global diplomacy that few other nations can match. Its distinct character is a product of centuries of neutrality, innovation, and a deep respect for its heritage, all of which contribute to the nation’s unparalleled reputation on the world stage.

One of the first things that captivates visitors to Switzerland is its breathtaking scenery. The country is dominated by the majestic Alps, with towering snow-capped peaks that attract adventurers and nature lovers from around the globe. Whether it’s skiing in world-class resorts like Zermatt and St. Moritz or hiking through verdant valleys and along crystal-clear lakes, Switzerland offers outdoor experiences that are hard to rival. Beyond the Alps, the country is dotted with picturesque towns, lush meadows, and sparkling lakes, such as Lake Geneva and Lake Lucerne, each offering their own unique charm. The country's commitment to environmental preservation further enhances the beauty of these landscapes, ensuring that they remain pristine for future generations.

Swiss culture is characterized by diversity, which is reflected in diverse traditional customs. A region may be in some ways culturally connected to the neighbouring country that shares its language, all rooted in western European culture. The linguistically isolated Romansh culture in Graubünden in eastern Switzerland constitutes an exception. It survives only in the upper valleys of the Rhine and the Inn and strives to maintain its rare linguistic tradition.

Switzerland is home to notable contributors to literature, art, architecture, music and sciences. In addition, the country attracted creatives during times of unrest or war. Some 1000 museums are found in the country.

Among the most important cultural performances held annually are the Paléo Festival, Lucerne Festival, the Montreux Jazz Festival, the Locarno International Film Festival and Art Basel.

Alpine symbolism played an essential role in shaping Swiss history and the Swiss national identity. Many alpine areas and ski resorts attract visitors for winter sports as well as hiking and mountain biking in summer. The quieter seasons are spring and autumn. A traditional pastoral culture predominates in many areas, and small farms are omnipresent in rural areas. Folk art is nurtured in organisations across the country. Switzerland most directly in appears in music, dance, poetry, wood carving, and embroidery. The alphorn, a trumpet-like musical instrument made of wood has joined yodeling and the accordion as epitomes of traditional Swiss music.

references: Switzerland - Wikipedia

[astroyongie]

🐈‍⬛ ྀི Goddess Worship: An Introduction of Freyja 🐈‍⬛ ྀི

Note: Day 17 of our October calendar! Today we have an introduction of deities I work with/worship. This post is to provide some information about the deities but also how I work with them personally. Everyone has their own methods with the Gods, and you should do whatever feels right with you while also respecting the bases of the religions.

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Historical Background:

Freyja (or Freya) is a major goddess in Norse mythology, belonging to the Vanir tribe of deities, which are associated with fertility, prosperity, and nature. (Vanir and Aesir are different deities in the Norse Mytho). She is the daughter of Njord, the sea god, and sister to Freyr (Twins), the god of fertility, peace, and prosperity. Her hall is known as Fólkvangr which welcome half of the warriors who died in battle. She is also the goddess of love, beauty, war, death, and magic (her magic is known as seidr associated with prophecy and shape-shifting. she could see into the future and use the power of runes). Freyja’s worship may predate Norse mythology, with roots in earlier Germanic or proto-Indo-European traditions second the archeologists studies.

Attributes and Symbols:

Cats: Freyja’s chariot is said to be drawn by two large cats, symbolizing fertility and domesticity. She has been long symbolized through cats and usually people who. worship her will use cats to connect with her Boars: She also rides the boar named Hildisvíni, a symbol of fertility, protection, and strength. Brísingamen: Her famous necklace, a symbol of fertility, sexuality, and beauty. The Brísingamen was often considered an object of great power and desire as in the mytho many creatures and gods have fought to have it. Falcon Cloak: This magical cloak allows Freyja to shapeshift into a bird, symbolizing freedom, the soul’s flight, and her connection to magic. Amber and Gold: Amber, known as "Freyja's tears," is associated with the goddess due to the myth where she weeps golden tears for her missing husband, Óðr.

Worship and Rituals:

Seidr (Magic): Freyja is a practitioner and teacher of seidr, a form of Norse magic involving divination, trance states, and influencing fate. Women (and men) who practiced seidr would invoke her for aid. this pratice is still used in the Nordic countries but it needs to be taught through initiation. One cannot learn to practice Seidr magic without initiation by another Seidr. One way of worshipping her is through the practice of Runes. Love and Fertility: As a fertility goddess, Freyja was worshipped by those seeking love, marriage, and fertility. Offerings of gold, honey, and flowers were made in her name. A lot of people would also use sexual intercourse as a way to give away their energy to the goddess in exchange of love and pregnancy. Battle and Death: Despite being a goddess of love, Freyja is also a goddess of war and death. Half of those who die in battle are said to go to her hall, Fólkvangr, while the other half go to Odin’s hall, Valhalla. One can worship her not only for love but also for strenght in battles. She is fierce when it comes to help protect those who pray her. Now in the modern times, her worship of battles have been adjusted with internal battles, challenges in life and even justice. Festivals: Freyja was likely honored during seasonal festivals like Dísablót (mostly done during winter seasons), where offerings were made to the dísir, female spirits or ancestors, who were linked to fertility and protection. It involves sacrifices (not animals but instead sacrificing something of you in return of something else) and ritual offerings to Freyja or the feminine ancestor spirits. Unfortunately there isn't many source of information about the norse mythology as Norse People didn't especially write it.

-> When worshipping Freyja, do not take her for granted. Her energy is pure and warm but she wishes for attention. Make a small altar for her, give offerings every friday (and of course offerings during spells were you invoke her energy or help). The important here to feel connected to the deity and respect her as a whole energy. Everyone has their own way of praticing, so do what feels right. But remember to do your own research. Get out of TikTok and READ! archeological revues and works are important.

-> Ideas for offerings: Wine, honey, bread, prayers, cat symbols (statues, whiskers, furr, ect), same with boar figures, jewelery, gold, coins, amber, red fruits, apples, incense, candles, anything else that feels right to you

BIBLIOGRAPHY:

"Freyja, Lady, Vanadis: An Introduction to the Goddess" by Patricia M. Lafayllve

"The Viking Way: Religion and War in Late Iron Age Scandinavia" by Neil Price

"Gods and Myths of Northern Europe" by H.R. Ellis Davidson LA MITOLOGÍA, Y. E. C. D. THE MYTHOLOGY AND CULT OF FREYJA AND HER IMPORTANCE TO VIKING AGE WOMEN. Bellows, Henry Adams (Trans.) (1923).

A Edda Poetica. American-Scandinavian Foundation

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[talonabraxas]

Solar Diety

A solar deity (also sun god(dess)) is a deity who represents the sun, or an aspect of it, usually by its perceived power and strength. Solar deities and sun worship can be found throughout most of recorded history in various forms. Hence, many beliefs have formed around this worship, such as the "missing sun" found in many cultures.

Solar deities throughout cultures

In different religions solarised supreme deities carry different names and are associated with different aspects of the cultural universe of the society, but for the most part its raw image remains identical.

The Neolithic concept of a solar barge, the sun as traversing the sky in a boat, is found in the later myths of ancient Egypt, with Ra and Horus. Earlier Egyptian myths imply that the sun is within the lioness, Sekhmet, at night and can be seen reflected in her eyes or that it is within the cow, Hathor during the night, being reborn each morning as her son (bull). Proto-Indo-European religion has a solar chariot, the sun as traversing the sky in a chariot.

During the Roman Empire, a festival of the birth of the Unconquered Sun (or Dies Natalis Solis Invicti) was celebrated on the winter solstice — the "rebirth" of the sun. In Germanic mythology this is Sol, in Vedic Surya, and in Greek Helios (occasionally referred to as Titan) and (sometimes) as Apollo. Mesopotamian Shamash plays an important role during the Bronze Age, and "my Sun" is eventually used as an address to royalty. Similarly, South American cultures have emphatic Sun worship, see Inti.

During the later periods of Roman history, sun worship gained in importance and ultimately led to what has been called a “solar monotheism.” Nearly all the gods of the period were possessed of solar qualities, and both Christ and Mithra acquired the traits of solar deities. The feast of Sol Invictus (Unconquered Sun) on December 25 was celebrated with great joy, and eventually this date was taken over by the Christians as Christmas, the birthday of Christ.[1]

Hinduism

The Ādityas are one of the principal deities of the Vedic classical Hinduism belonging to Solar class. In the Vedas, numerous hymns are dedicated to Mitra, Varuna and Savitr.

Even the Gayatri mantra, which is regarded as one of the most sacred of the Vedic hymns is dedicated to Savitr, one of the principal Ādityas. The Adityas are a group of solar deities, from the Brahmana period numbering twelve. The ritual of sandhyavandanam, performed by Hindus, is an elaborate set of hand gestures and body movements, designed to greet and revere the sun.

The sun god in Hinduism is an ancient and revered deity. In later Hindu usage, all the Vedic Ādityas lost identity and metamorphosed into one composite deity, Surya, the sun. The attributes of all other Ādityas merged into that of Surya and the names of all other Ādityas became synonymous with or epithets of Surya.

The Ramayana has Lord Rama as a descendant of the Surya, thus belonging to the Surya Vansh or the clan of the Sun. The Mahabharata describes one of its warrior heroes Karna as being the son of the Pandava mother Kunti and Surya.

The sun god is said to married to the goddess Ranaadeh, also known as Sanjnya. She is depicted in dual form, being both sunlight and shadow, personified. The goddess is revered in Gujarat and Rajasthan.

The charioteer of Surya is Aruna, who is also personified as the redness that accompanies the sunlight in dawn and dusk. The Sun God is driven by a seven-horsed Chariot depicting the seven days of the week.

In India, at Konark, in the state of Orissa, a temple is dedicated to Surya. The Konark temple has also been declared a UNESCO world heritage site. Surya is the most prominent of the navagrahas or nine celestial objects of the Hindus. Navagrahas can be found in almost all Hindu temples. There are further temples dedicated to Surya, one in Arasavilli, Srikakulam District in AndhraPradesh, one in Gujarat and another in Rajasthan. The temple at Arasavilli was constructed in such a way that on the day of Radhasaptami, the sun's rays directly fall on the feet of the Sri Suryanarayana Swami, the deity at the temple.

Chhath (Hindi: छठ, also called Dala Chhath) is an ancient Hindu festival dedicated to Surya, the chief solar deity, unique to Bihar, Jharkhand and the Terai. This major festival is also celebrated in the northeast region of India, Madhya Pradesh, Uttar Pradesh, and parts of Chhattisgarh.Hymns praying to the sun can be found in the Vedas, the oldest sacred texts of Hinduism. Practiced in different parts of India, the worship of the sun has been described in the Rigveda.

Ancient Egypt

Sun worship was exceptionally prevalent in ancient Egyptian religion. The earliest deities associated with the sun are Wadjet, Sekhmet, Hathor, Nut, Bastet, Bat, and Menhit. First Hathor, and then Isis, give birth to and nurse Horus and Ra. Hathor the horned-cow is one of the twelve daughters of Ra, gifted with joy and is a wet-nurse to Horus.

The sun's movement across the sky represents a struggle between the Pharaoh's soul and an avatar of Osiris. Ra travels across the sky in his solar-boat; at dawn he drives away the demon apep of darkness. The "solarisation" of several local gods (Hnum-Re, Min-Re, Amon-Re) reaches its peak in the period of the fifth dynasty.

In the eighteenth dynasty, Akhenaten changed the polytheistic religion of Egypt to a monotheistic one, Atenism of the solar-disk and is the first recorded state monotheism. All other deities were replaced by the Aten, including, Amun-Ra, the reigning sun god of Akhenaten's own region. Unlike other deities, the Aten did not have multiple forms. His only image was a disk—a symbol of the sun.

Soon after Akhenaten's death, worship of the traditional deities was reestablished by the religious leaders (Ay the High-Priest of Amen-Ra, mentor of Tutankhaten/Tutankhamen) who had adopted the Aten during the reign of Akhenaten.

Chinese mythology

In Chinese mythological cosmology, there were originally ten suns in the sky, who were all brothers. They were supposed to emerge one at a time as commanded by the Jade Emperor. They were all very young and loved to fool around. Once they decided to all go into the sky to play, all at once. This made the world too hot and nothing grew. A hero named Hou Yi shot down nine of them with a bow and arrow to save the people of the earth. He is still honored to this day. In another myth, the solar eclipse was caused by the magical dog of heaven biting off a piece of the sun. The referenced event is said to have occurred around 2,160BCE. There was a tradition in China to make lots of loud celebratory sounds during a solar eclipse to scare the sacred "dog" away. The Deity of the Sun in Chinese mythology is Ri Gong Tai Yang Xing Jun (Tai Yang Gong / Grandfather Sun) or Star Lord of the Solar Palace, Lord of the Sun. In some mythologies, Tai Yang Xing Jun is believed to be Hou Yi. Tai Yang Xing Jun is usually decipted with the Star Lord of the Lunar Palace, Lord of the Moon, Yue Gong Tai Yin Xing Jun (Tai Yin Niang Niang / Lady Tai Yin).

Buddhism

In Buddhist cosmology, the bodhisattva of the sun is known as Ri Gong Ri Guang Pu Sa (The Bright Solar Boddhisattva of the Solar Palace) / Ri Gong Ri Guang Tian Zi (The Bright Solar Prince of the Solar Palace) / Ri Gong Ri Guang Zun Tian Pu Sa (The Greatly Revered Bright Solar Prince of the Solar Palace / one of the 20 or 24 guardian devas). In Sanskrit, He is known as Suryaprabha. He is usually decipted with Yue Gong Yue Guang Pu Sa (The Bright Lunar Boddhisattva of the Lunar Palace) / Yue Gong Yue Guang Tian Zi ( The Bright Lunar Prince of the Lunar Palace) / Yue Gong Yue Guang Zun Tian Pu Sa (The Greatly Revered Bright Lunar Prince of the Lunar Palace / one of the 20 or 24 guardian devas) or known as Candraprabha in Sanskrit. With Yao Shi Fo / Bhaisajyaguru Buddha (Medicine Buddha), these two boddhisattvas create the Dong Fang San Sheng or the Three Holy Sages of the East.

Africa

The Munshi tribe considers the sun to be the son of the supreme being Awondo and the moon is Awondo's daughter. The Barotse tribe believes that the Sun is inhabited by the sky god Nyambi and the Moon is his wife. Even where the sun god is equated with the supreme being, in some African mythologies he or she does not have any special functions or privileges as compared to other deities.

Aztec mythology

In Aztec mythology, Tonatiuh (Nahuatl:Ollin Tonatiuh "Movement of the Sun") was the sun god. The Aztec people considered him the leader of Tollan, heaven. He was also known as the fifth sun, because the Aztecs believed that he was the sun that took over when the fourth sun was expelled from the sky. According to their cosmology, each sun was a god with its own cosmic era. According to the Aztecs, they were still in Tonatiuh's era. According to the Aztec creation myth, the god demanded human sacrifice as tribute and without it would refuse to move through the sky. It is said that 20,000 people were sacrificed each year to Tonatiuh and other gods, though this number is thought to be inflated either by the Aztecs, who wanted to inspire fear in their enemies, or the Spaniards, who wanted to vilify the Aztecs. The Aztecs were fascinated by the sun and carefully observed it, and had a solar calendar second only in accuracy to the Mayan's. Many of today's remaining Aztec monuments have structures aligned with the sun.

In the Aztec calendar, Tonatiuh is the lord of the thirteen days from 1 Death to 13 Flint. The preceding thirteen days are ruled over by Chalchiuhtlicue, and the following thirteen by Tlaloc.

Indonesian mythology

The same swapping process is seen in Indonesia. The solar gods have a stronger presence in Indonesia's religious life and myth. In some cases the sun is revered as a "father" or "founder" of the tribe. This may apply for the whole tribe or only for the royal and ruling families. This practise is more common in Australia and on the island of Timor, where the tribal leaders are seen as direct heirs to the sun god.

Some of the initiation rites include the second reincarnation of the rite's subject as a "son of the sun", through a symbolic death and a rebirth in the form of a sun. These rituals hint that the Sun may have an important role in the sphere of funerary beliefs. Watching the un's path has given birth to the idea in some societies that the deity of the Sun descends in to the underworld without dying and is capable of returning afterward. This is the reason for the Sun being associated with functions such as guide of the deceased tribe members to the underworld, as well as with revival of perished. The sun is a mediator between the planes of the living and the dead.

Theosophy The primary local deity in Theosophy is the Solar Logos, i.e., the consciousness of the sun.

[whencyclopedia]

Halloween is among the oldest traditions in the world as it touches on an essential element of the human condition: the relationship between the living and the dead. The observance evolved from ancient rituals marking the transition from summer to winter, thereby associating it with transformation, which is still a central theme of the holiday. Every recorded civilization has created some form of ritual observance focused on what happens to people when they die, where they go, and how the living should best honor those who have passed or respond to the dead who seem unwilling or unable to move on. Countries around the world today celebrate Halloween in one form or another, from Mexico's Day of the Dead to China's Tomb Sweeping Day. The modern-day observance of Halloween in countries such as the United States and Canada – where this tradition is most popular – share in this ancient tradition, even though some aspects of the holiday are relatively recent developments and can be traced back to the Celtic festival of Samhain. Christian groups through the years have routinely attempted to demonize and denigrate the observance, in part by repeating the erroneous claim that Sam Hain was the Celtic god of the dead and Halloween his feast. This error comes from the 18th-century British engineer Charles Vallancey, who wrote on the Samhain festival with a poor understanding of the culture and language, and has been repeated uncritically since. It was actually the Church itself, however, which preserved the Samhain tradition in the West by Christianizing it in the 9th century, setting the course for a pagan Northern European religious tradition's transformation into a worldwide secular holiday which has become the most popular – and commercially lucrative – of the year, second only to Christmas.

[eregyrn-falls-art]

Gruß vom Krampus! 

December 5th is Krampusnacht, and I've done some pieces related to that over the years. This year I decided to update my depictions of Stan and Ford in the older two pieces (from 2016 and 2017 respectively), and to put the three all together. The original piece from 2016 was done for the 2017 Hunkles calendar (December of course), and the sequel was done for New Years the following year, with the final pic in the sequence appearing in Dec. 2020.

As I said in the original post, my version of the Krampus is based on looking at traditional folk costumes actually worn by krampus figures in Austria for the Krampusnacht festival.

And finally, just to keep it all in one place: after posting the 2020 piece, I got an ask about the little collection of Pines dolls that hang off of Krampus's basket in the second pic, and that Stan is holding in the last pic. I went into a long explanation (including an overview of the Krampus tradition and celebrations), so I'll put it below a cut here:

fernikart57 asked:

In your Krampus art... what's with that belt, neclace, bead (?) of plushes from the Pines Family?

Okay so like… the explanation is probably kind of dumb.  And it’s me making stuff up, rather than relying completely on the actual folklore.

So the Krampus figure is actually a collection of figures from Central Europe, particularly in the Alps, and the specific traditions associated with the Krampus can vary from region to region and town to town.  Thus, while a set of the Krampus tropes have kind of been exported and caught on in popular culture, that pop culture figure now only resembles *some* Krampus traditions.  I don’t think it’s accurate to talk about “a” Krampus or “the” Krampus, exactly, because of that regional variation.  It’s also worth noting that Krampus celebrations are very much alive in various towns in the Alps.

Generally speaking, though, Krampus is a “wild man” figure, often with a demonic face (mask), a furry body, and goat-like features (especially horns). There are some theories that the basic figure itself is pre-Christian (like a lot of the wild-man traditions of Central and Northern Europe).  (I personally think that’s pretty plausible, given the range of costumes we see.)

After the advent of Christianity, though, the Krampus became associated with “the devil” or demonic figures.  And eventually, in a lot of traditions within the Central European mountain area, Krampus got paired with St. Nicholas, as a kind of tag-team.  St. Nicholas in those traditions is almost certainly one of the origins of Santa Claus, in that he rewards well-behaved children with presents.  (But, traditionally he dresses like a bishop, and not in the outfit that a lot of Americans are familiar with.)  The 6th of December is the Feast of St. Nicholas, so Krampusnacht (”Krampus night”) is the 5th of December.  And Krampus acts as the opposite of St. Nicholas – if presents are a means of encouraging good behavior, then Krampus is the threat used to discourage bad behavior.

So, some of the accreted trappings of the Krampus are a whip and a bundle of birch branches, for beating children / people, and a basket that he carries on his back, into which he puts the naughty children he finds, to carry them off for punishment.  (Obviously, the message there is: don’t be naughty or the Krampus will get you.)  A number of the Krampusnacht traditions involve men costumed as Krampus running wild through the streets, threatening people with their birch branches or whips and so on, making noise (thus all of the bells worn around the neck) and kind of terrorizing people (not just kids), as a set-up for St. Nicholas to come in the next day and reassert order.  (Sometimes it’s only “terrorizing” in an “all in good fun” sense, similar to Halloween scariness; but apparently in some towns, it can get kind of rough.)

So with all of that background… I was originally just looking for a sort of “crytpid” or monster for Stan and Ford to be fighting, with a December theme, for that 2017 calendar piece.  They are encountering more of a magical, “real monster” version (rather than the folkloric ritual version), and therefore I took some liberties with the idea, even though I incorporated a lot of design elements from a variety of real Krampus costumes.

I didn’t want to put any actual children into Krampus’s basket for Ford and Stan to rescue, though (in the original calendar piece, they wouldn’t have been that visible).  But when I did the second piece, I included the doll versions of the four Pines, hanging from Krampus’s basket, as a sort of… symbolic magical threat, an expression of the idea that the Pines are its supernatural targets.  The dolls act as kind of representations of Krampus’s targets, and I also thought of them, in that sense, as a darker reflection of the St. Nicholas gift-giving tradition (still toys, but toys with a sinister meaning). If Krampus was a “real” supernatural being that goes around punishing the “naughty” or “wicked”… then what is its definition of “wicked”, and would it be a fair one, or unfair? 

In this scenario, Stan and Ford are not in the mood to debate with it over whether it is fair to take them to task for being “naughty”, but they are DEFINITELY not going to stand for the idea that the Krampus might go after Dipper and Mabel, so – time to take it down!

Anyway, for more about the actual Krampus, I recommend taking a look at the Krampus article on Wikipedia, or listening to this excellent podcast (which I was listening to as I finished the piece the other day; am very interested in getting that guy’s book!).

[simply-ivanka]

Blaming Israel for Rescuing Its People

Hamas hid four hostages in a crowded civilian area and fired on rescuers.

Wall Street Journal

By The Editorial Board

It’s rare good news in a grinding war. On Saturday Israeli commandos rescued four hostages from two civilian buildings near the heart of Gaza’s Nuseirat market. It was a high-risk but well-planned and -executed mission that is a morale boost for Israelis.

Arnon Zamora was killed while leading the rescue mission at the head of his force. He will go down in history with Yoni Netanyahu, the fallen leader of Israel’s 1976 raid to free hostages in Entebbe, Uganda.

Noa Argamani, age 26, Almog Meir Jan, 21, Andrey Kozlov, 27, and Shlomi Ziv, 40, were all abducted during the music-festival massacre. A video showed Ms. Argamani begging for her life. Eight months later she heard a knock on the door: “It’s the IDF, we’ve come to rescue you.” She can now visit her terminally ill mother. Mr. Jan was mobbed on his return by friends chanting, “He is one of us, and we will never give him up,” a refrain of sports teammates now given new meaning. Mr. Jan’s father died hours before his son’s return.

The non-surprise is that professional anti-Israel voices, United Nations officials and the European Union foreign-policy chief rushed to attack Israel. Egypt condemned the operation “in the strongest terms.” How dare Israel rescue its own citizens. Didn’t it know there would be casualties? The BBC asked whether Israel gave a warning that the rescue raid was coming. Seriously? A tip-off to terrorists? Perhaps read them Miranda rights too.

“BREAKING: Gaza’s Health Ministry says 274 Palestinians were killed during the Israeli operation,” reports the Associated Press, only 48 hours after it had exposed how the Hamas ministry’s daily death tolls are “at odds with underlying data.” When will the media stop taking the kidnappers at their word?

Haters of Israel will blame it and excuse Hamas every time, and the media are easily manipulated into playing along. The Hamas figure is likely inflated, and it includes the terrorists killed trying to stop the rescue as well as those who hid the hostages.

Hamas started the war with a massacre, took these hostages and hid them in a crowded civilian area. Then, when Israel came to free them, Hamas responded with heavy fire, including RPGs—yet people are condemning Israel. It makes us wonder if the West has lost the moral discernment and instinct for self-preservation needed to defend itself in a world of killers.

Hamas could not survive if not for its enablers around the world.

[ask-nyc-boroughs]

Some Hudson Valley holidays that occur in May ft. my idiots. Just wanted to draw some costumes ngl 💀. Anyways I’ll give some explanation to each of the little Polaroids cause ik most of these holidays aren’t well known.

Just a drawing of Emma celebrating Pinkster. I haven’t drawn Emma in years lolllll & I don’t work on her much anymore, but I thought she’d partake in the festivities. In this region, Pinkster is a Pentecost celebration brought over by the Dutch, but became more associated with the traditions brought over by enslaved Africans especially as their enslavers would allow them to travel and see their families and celebrate during this time. European settlers also partook in these festivities as well, but it just became more associated as an African-American holiday within New York & New Jersey.

Elise & Jennie being nice for a moment and taking a photo together lol, they probs went back to bickering after this cause they have issues 💀. Jennie is there cause this is her state capital, Elise was probably just invited cause she’s Jennie’s sister and both were alive during the Dutch colonial area. But anyways this is supposed to be them at Albany’s Tulip Festival. Tulip Fest began about 76 years ago celebrating Albany & Nijmegen’s friendship especially as the citizens of Albany raised significant funds and sent much needed supplies to Nijmegen following the Second World War. Also many Dutch-Americans in this area can trace their ancestry back to Gelderland. The Anyways Tulip Festival is a celebration of that friendship, but also of Albany’s Dutch heritage. The particular costumes Elise & Jennie are wearing is associated with the street sweeping ceremony + these costumes were only introduced to Albany 76 years ago. These are new here. Actually Emma & Will’s costumes are older.

Ok just a little silly doodle of Lynn giving Will a kiss during Pinkster.

[cursecuelebre]

Roman Goddess Luciana of Childbirth and Light

Attributes:

Childbirth

Matrons (Married Women)

New borns

Midwifery

Soon - to - be Mothers

Virginity/Chasity

Celestial Light Moon and Sun

Light that which brings Newborns into life.

Fertility especially when it comes to women

Symbols:

Torches

The colors red, black, and white

Libyan Lotus trees or Nettle trees. Member of the Elm tree family. The trees are southern European species of nettle trees, the Romans just refer them to as Lotus trees.

I’ve read from a source that lady bugs or lady birds are sacred to her but I find just one source so take it with a gain of salt. Lady bugs is mostly associated with Freyja so I would imagine relating to fertility.

Titles and Epithets:

Luciana is the Goddess of light and childbirth and newborns. Her name is alone to be just be a goddess alone which is possibly she originated from a Sabine moon goddess. But her name itself can be a title like how “Hekate or Hekatos” is used not just for a name of a goddess. Her name Luciana can be derived from the Latin word “Lux” which is luminous and light also “Lucus” which means Groves I’ll explain in the next paragraph. I’ll put other names she was referred by but also what goddesses of which they took her name as an epithet/title.

- Noctiluca - Giving Light by Night

- Luna - Of The Moonlight

- Lucifera - Giver of Light

- Juno Lucina - Shining one. With this title there is more information about the worship of Luciana.

- Diana Lucina - Divine Queen

- Hekate Lucina - Hekate was also known to bear this title as a light bearer.

- Saint Lucia or Saint Lucy: It is theorised and not so uncommon of when goddesses or gods become saints after Christianisation a well known example is St Brigid once known before in pre-Christian Ireland as a Celtic goddess of the Hearth. Saint Lucia is said to be the Goddess of Luciana whose symbol is a torch as well.

General Information

During the early days of the Roman Empire Luciana was one of the first temples to be established. She is said to be originated from the tribe of Sabine whose role as a moon goddess. Her role within Roman religion was mostly documented as Juno Lucina which isn’t surprising since Juno is the goddess of marriage and motherhood and childbirth. Her temple was set on Cisipan Hill on a Grove. But a shrine to Luciana was built on Esquiline Hill around 373 BCE on March 1st. It was always set on a grove which was surrounded by Lotus trees or Nettle trees which was very sacred and celebrated by offering locks of hair from Vestal Virgins who acknowledge their vows of chastity and a choice to not become a mother.

When Luciana was invoked during childbirth for easy delivery and a healthy child to be born. Women would let their hair loose and untie any knots from their clothing in a way of sympathetic magic letting energy of the birth flow easily and without any complications. After the baby was delivered, the child would be brought to the goddess’s altar called Sellisternium (a altar dedicated to a goddess) along for a feast of celebration. Luciana is very much centered around all things pregnancy, newborns, fertility, she even is called a Saviour from infertility, She is in charge bringing Newborns into the light of the world, also grants Newborns safe passage.

Her festivals

Held on March 1st, the Roman new year also called Matronalia plus the anniversary of the temple’s founding. Where married women would be given money from their husbands to make an offering to Juno Luciana of Womanhood. They (Matrons) would general go to the temple make offerings on Esquiline Hill. Afterwards a festival of Family would began as the Matrons of the household would be a central figure with their husbands giving them gifts and Slaves would be served as well.

Editor’s Note:

It was brought up very importantly that Luciana is the Italian proper name but “Lucina” is the correct and proper spelling for the titles and epithets for Juno and Diana not Luciana. The difference is very hard to notice at first which I made that mistake, but thank you to the lovely user who made it known to me in the comments! Putting this here so that it’s a marking of update, I will retype the titles and such for the correction 💖

[davekat-sucks]

Let me throw in my two cents for the Rule 63 names just because I wanted to think this through myself. - For the kids, the ones in parentheses are alternate suggestions. - Dawn and Dusk I took from suggestions on here. I love them! - For the trolls there are multiple suggestions because I want their names to have meaning - I'd love to hear your favorites out of all of these Beta Kids: John > Joan (Jess, Joni) Rose > Ross (Rory, Ryan) Dave > Dawn (Davi, Dove, Dani) Jade > Joel (Jace, Jode)

Alpha Kids: Jane > Josh (Jace, Judd) Roxy > Roco (Remy, Ronn, Robb) Dirk > Dusk (Dara, Diri) Jake > Jodi (Jace, Jaka, Joye) Beta Trolls: Aradia > Averan (Lake Avernus was believed to be the entrance to the underworld to the ancient Romans) Abraxa (Abraxas, ruler over many heavens and circles of creation, is labeled as a demon or the God above Gods) Azatho (Azathoth, Blind Idiot God in the Cthulhu Mythos, that only understands his dreams) Azrael (Angel of Death)

Tavros > Tauran (Meaning Bull) Thalia (Ancient Greek word meaning to flourish) Tallos (Talos is a brass made by Hephaestus for Minos) Tarsus (Multiple meanings, one is the distal part of the leg of an insect) Jinniu (The jīn niú zuò, means the golden bull constellation, it’s the chinese name for Taurus) Taurin (Tauri is what stars in the Taurus constellation are designated as)

Sollux > Callor (Sollux is a mix of Castor and Pollux’s names, the legend behind the astrological sign. This is an alternative name.) Solene (Meaning Sun)

Karkat > Cancri (Stars in the Cancer constellation are marked with this name) Krabbe (Small crab, shrimp or prawn) Krasis (the practice of mingling water with wine) Kalika (Known more as Kali in the west. A major Hindu goddess associated with death, violence, time. In later traditions, she’s associated with motherly love. Sounds more like Damara.) Kraken (Mythical sea creature) Karmen (Arabic name meaning generous/selfless)

Nepeta >    Leonis (Gamma Leonis is a star in the Leo constellation) Nallus (Nalus meaning to pounce) Nimrod (A mighty hunter before the Lord and a king. His character is similar to Gilgamesh.) Felino (Feline) Kanaya > Kareem (Meaning generous in Arabic) Khamba (Khambalia is a fixed star in the Virgo constellation)

Terezi > Tribus (Latin for tribe, the term is used to denote a division within the state in ancient Rome)Tribun (Tribunal, meaning a court of justice) Tassos (A Greek name meaning resurrection) Themis (The Greek goddess of justice, note that the name is feminine.) Equius > Equine (Related to horses) Eponna (Epona is the celtic goddess of horses) Consus (An Italian deity, on festival days celebrating him, horses are given time off of work, name is masculine) Pegsus (Pegasus is a winged horse, I just noticed now that I spelt Peg Sus and it fits) Vriska > Varren (Varen means superior, it also means God of the celestial sky) Vesper (Refers to Venus or the evening star) Virion (A virus particle outside of a host cell) Victor (Winner) Gamzee > Gaiety (Meaning lighthearted or merrymaking) Gauche (Lacking grace or acuteness) Algedi (Stars in the Capricorn constellation are called this, it means kid) Eridan > Ephira (A water-nyph and daughter of Titans Oceanus) Nereid (The Nereids are female spirits watching over bodies of seawater) Feferi > Fathom (A nautical unit of measurement to measure depth. The Old English meaning means outstretched arms.) Fifral (A Fife rail is a rail on a European-style ship.) Fisher (An occupational name for fishermen) Fizzle (Meaning a sputtering sound)

These genderbend names are so amazing and love the meaning detail ones for the trolls. My faves have to be John > Joni Rose > Ryan (like Ryan North, who made Ryanquest, who also worked with Hussie) Jade > Joel Roxy > Robb Jake > Jodi Aradia > Averan and Azrael (the latter would be funny and cool considering Undertale) Tavros > Thalia Sollux > Solene Karkat > Kalika Nepeta > Felino and Nallus Kanaya > Khamba Terezi > Tribus (Themis is another as I know a friend named a Karezi fankid this) Vriska > Varren or Vesper Equius > Eponna Gamzee > Algedi Eridan > Ephira and Nereid Feferi > Fifral

[broomsick]

hi. im sorry if im bothering but you're a norse pagan and i am too but i joined recently and haven't been able to gain much knowledge yet. i have a few questions, if you would like to answer them i would be very grateful:

• other than the eddas, is there any book that can help me as a beginner to the norse faith or maybe witchcraft?

• yule is coming up and it is my first pagan festival so could you please help me understand how to celebrate it, is there any norse deities in specific that i should give offerings to? (i plan on making offerings to skadi right now)

• i'm may have some european amcestors cause im indo european but i doubt that any of my ancestors were norse...could i still practice norse paganism?

•lastly, what are blots?

Hello there! Thank you so much for the ask. And welcome to this faith! I hope this path is as fulfilling to you as it is to me.

You'll be happy to know there are so much great ressources for norse pagans to use for research. I've actually listed a bunch of them in this previous post, in which I identified what sources were books and which were online ressources.

Now, Yule is a very exciting celebration for heathens! We know that it was a major festival in Iron Age Scandinavia. Traditionally, there would be a toast made in honor of the ancestors, one made in honor of the One-Eyed, to ask for success (he is even called Jólnir, "Figure of Yule"), and one made in honor of Yngvi-Freyr and Njörðr, to ask for fertility and prosperity. This is why these three deities are most often viewed as the main deities of Yule in nordic tradition. Thórr also has some associations with Yule, primarily due to the traditional yule goat decoration still present in Scandinavia today, which may or may not have had ties with him due to his association with goats. Whatever the case, he is also a popular choice within modern practice when it comes to the deities honored during Yule celebrations. You could also very well include Sól in your practice around that time of the year. After all, winter solstice celebrations often serve to rejoice and welcome the return of the sun as the days grow longer once again. It's for this reason that lighting candles or bonfires on the longest night of the year is a popular way to celebrate Yule: it symbolizes the return of light and warmth as the second half of winter commences. There are a few accounts of some sort of "yule log", a very long log decorated with candles, being burned during the twelve days of Yule, though the veracity of this story is debated. Still, it can be fun for us to incorporate a similar tradition into our own celebrations! For example, by decorating a piece of wood and burning it during a ritual as our own yule log. Decorating using greenery (real or fake) is also a popular way to celebrate Yule! It's a way to remind ourselves that despite the cold and the snow, the earth still lives and nature still thrives! Traditionally, one would use plants such as holly, ivy, or any evergreen tree, which stay green throughout the winter. I also can't forget the eternal norse pagan tip: when in doubt, hold a feast! To invite your loved ones around a table and eat homemade food is always one of the best ways to honor the Gods, and this goes for any festival. So much can be done even if you prefer to celebrate alone, or with just a few close friends! Just treat yourself to a hearty winter meal, and save some of it to offer the Gods, along with a glass of the alcohol of your choosing (I generally go for winter drinks, such as mulled wine, warm ice cider and the like). There is only so much I can list at the top of my head, and there are countless ways for you to celebrate Yule. Feel free to dig around for more ideas, and to experiment with whatever feels right! I'll now direct you to this wonderful video, which I discovered a while back and which does a wonderful job of explaining everything we currently know about Yule and midwinter festivals in the nordic cultures.

Now, norse paganism is a fully open practice! Everyone is free to practice it, no matter their ancestry. Don't let anybody tell you otherwise, they would not be speaking the truth!

As for your last question, blót is an Old Norse term meaning "blood", which can seem scary when you put it that way, but it's nothing to be worried about! It merely refers to the act of sacrifice, or as we neo-pagans often say, offering. A blót is a ritualized offering made to the norse Gods! The celebrations around such an event can also be refered to as blót: the term "Yule" originally came from the Old Norse name for the main midwinter sacrifice, Jólablót, which is the name I give to my own winter solstice celebration. We know that during the Scandinavian Iron Age, there were many blóts scattered across the calendar! Among those: Þorrablót, or Husbands' Day, allegedly celebrating the God Thórr, Góublót, or Wives' Day, a celebration of the end of winter, Sigrblót, a festival to ask for victory, Alfablót, celebrated at the end of the harvest season during which offerings to the elves were made, Jólablót, and Dísablót, when offerings to the Dísir were made. Most solitary practionners of norse paganism do not celebrate all of these. After all, little is known about them! Scholars cannot even pinpoint the exact moment of the year when Dísablót was performed. For this reason, we are all free to practice them based on our own interpretations. Since I am a devout worshipper of Yngvi-Freyr, I offer to him along with the elves on Alfablót. Though Jólablót is arguably the most popular blót to perform among heathens, I have met practionners who did not practice it. The blóts you choose to perform are all up to you!

I have only scratched the surface of how norse pagan holidays can be celebrated! I hope you'll find as much information as you need to prepare for Jólablót, and I also wish for you to have lots of fun celebrating it! Do be sure to trust your gut when it comes to celebrating pagan holidays. It all comes down to you, your preferences and what feels right. Have a great rest of the day, and please don't hesitate to reach out to me if you have any other questions!

[gold-rhine]

big thing about oktoberfest is that it's um. a BEER festival. and as you can see in WEINlesefest its a wine-based festival. there are like bazillion wine-themed fests in all european countries, I was visiting french wine festival this year.

also, oktoberfest has specific traditional clothes associated, which mond doesn't have at all.

like weinlesefest is way too generic to be called oktoberfest representation.

buildings are actually german coded tho, Fachwerk can be seen in other european countries, but its the most german associated traditional house look.

[louisupdates]

The Habit He Can’t Break, 1/4

IQ 123 | Gordon Masson | 9.11.2023

Usually, when an act completes a world tour, they come off the road for an extended period to rest, record new material, and then typically two or three years later, the wheels are set in motion for an album, released, promo, and tour dates.

Louis Tomlinson did not get that memo.

His first solo tour ran late due to the pandemic restrictions, meaning that by the time it concluded in September 2022, his second album, Faith in the Future, was scheduled to drop and tickets for the associated tour were ready to go on sale.

“This tour went on sale late October or November - basically a year in advance,” explains agent, Holly Rowland, who represents Tomlinson alongside Alex Hardee, internationally, while Wasserman Music colleagues, Marty Diamond and Ash Mowry-Lewis do likewise for North America. 

Despite that quick turnaround between tours, Rowland reports that ticket sales for the current tour are going very well indeed. “The first leg went through Scandinavia before doing the Baltics and Eastern Europe – Romania, Bulgaria, and Greece – places that most people, especially arena-level acts, don’t really go. And the second leg, which is more mainland Europe, started 2 October.”

The tour is big. Very big for just a second outing in his own name. 

Between May and July this year, Tomlinson played 39 dates in the US and Canada across a mix of amphitheaters, arenas, pavilions, and stadiums. In August, he returned to Europe, where he currently is in the midst of another 39 dates in arenas across the continent and the UK, which will take him to 18 November. Then, in early 2024, the Faith in the Future tour goes to Australia for two outdoor dates in Melbourne and Brisbane, before he takes the show to the country’s biggest indoor venue, the Qudos Bank Arena in Sydney.

And, as IQ went to press, Louis Tomlinson released dates for a return to Latin America in May 2024 for a mix of indoor and outdoor shows, including stadia, across Mexico, Argentina, Brazil, Chile, Colombia, Costa Rica, Panama, Paraguay, Puerto Rico, and Uruguay.

“We’re going to Australia and part of Asia early next year,” states artist manager Matt Vines of London-based Seven 7 Management. We then go into Latin America in May and June. And then we’ll handpick a selection of festivals next summer, before we draw the line on the campaign at the end of the summer.”

Rowland comments, “The tour before obviously was a Covid tour where the dates had to be chopped and changed. The positive aspect of that was that we were able to upgrade venues where that made sense. But it was really nice to start from scratch on this tour to make sure the routing was all going in the right direction.”

Back to You

Playing a major role in shifting that ticketing inventory is a network of promoters also enjoying Tomlinsons rising star.

“On this tour, it’s mainly Live Nation – we use a lot of the One Direction promoter,” explains Rowland. “But for Greece, we used Honeycomb Live, Charmenko did Romania, 8 Days A Week promoted the three shows in the Baltics, All Things Live did Finland, Fource are doing Orague, it’s Gadget in Switzerland, Atelier in Luxembourg, and when we get to the UK, it’s SJM, and MCD in Ireland.”

With a total of 39 European dates, Rowland split the outing into separate legs, scheduling a break after Scandinavia, the Balkans, Baltics, and Athens, Greece, and another after mainland Europe, ending in Zürich, Switzerland. 

“It’s a perfect ratio, if I do say so myself,” she laughs. “It was right to split it up – 39 dates is a long, long tour, especially with the American tour throughout the summer being 11 weeks! We made sure to schedule days off, for everyone to recharge their batteries.”

In Spain, Nacho Córdoba at Live Nation promoted Tomlinson’s shows in Bilbao, Madrid, and Barcelona, and reports sell-outs at each of the arenas involved. 

“When Louis was last here, it was three days before the pandemic shut everything down in Spain. In fact, I think he played the final show before the market closed because of Covid.,” says Córdoba.

“Last year, Louis organized his Away From Home Festival in Fuengirola, and that also sold out, so we know he has a big following in Spain, and we also know that Spanish fans are super loyal. So, on this tour we sold out 7,000 tickets at Bilbao Arena Miribilla, 13,600 tickets at Wizink in Madrid, and 11,200 at Palau St Jordi in Barcelona.”

Already looking forward to Tomlinson “and his fantastic team” returning on the next tour, Córdoba believes it will be important to see what happens with the next album – and Tomlinson’s expectations – before making any plans. 

“The most important thing is to keep the fans happy and keep the momentum building with Louis,” he states. “I am a big fan of the arenas, because the atmosphere at his shows was incredible. So, rather than look at going bigger, it might be a case of looking at other arenas in other markets. Whatever he does, we cannot wait to have Louis back in Spain.”

Stefan Wyss at Gadget abc Entertainment in Switzerland promoted Tomlinson when he visited Zurich’s Hallenstadion on 23 October and explains that he previously played the city’s Halle 622 venue on the first tour.

Recalling the debut solo outing, Wyss tells IQ, “At first, we announced a mid-size theatre club show, 1,800-capacity, but it sold out instantly. Then we moved it to Halle 62, which is 3-500-cap and that also sold out immediately, so it was a really big success. 

“They’ve invested a lot in the production of this current tour, and it’s doing really strong numbers, so that’s why we decided to go to the arena this time around, where we set a mid-size capacity of 7,000, which is good for a small market like Switzerland, especially because he’s coming back just one year later and playing a much bigger show.”

Wyss adds, “He’s kept the ticket prices reasonable – and he never wants to do any gold circle or VIP tickets. I think that’s why he’s so close to his fans, because it’s not about maximising profits. Another reason for his success is that in addition to attracting a mainstream audience, he’s also getting the music lovers because he’s just a very good songwriter and has brilliant songs.”

Wyss also notes that with many young fans typically arriving the day before the concert, the responsibility to look after them is extended. “We set up toilets, we have security overnight, we give water away. It’s part of the organization that we will take care of the fans.”

Fresh from announcing 12 dates across Argentina, Brazil, Chile, Colombia, Costa Rica, Peru, Paraguay, Panama, Puerto Rico, and Uruguay, promoter Fabiano Lima De Queiroz at Move Concerts reports that Tomlinson will visit a mix of arenas, as well as stadiums in Santiago, São Paulo, and Buenos Aires, during his May tour.

“Our first tour with Louis was supposed to be in 2020 and we’d booked half arenas everywhere – 5,000–6,000 capacities,” he informs IQ. “Louis was one of those acts who connected very well with the fans during the pandemic, so when we shifted the dates, first to 2021, and then to 2022, we ended up selling out and having to upgrade in certain metropolitan markets.”

2/4, 3/4, 4/4

[dailytomlinson]

Faith In The Future Tour (Behind The Scenes) for IQ

Full interview with Matt Vines, tour promoters, agents and more people involved in the making of the tour under the cut:

Usually, when an act completes a world tour they come off the road for an extended period to rest, record new material, and then typically two or three years later the wheels are set in motion for an album release, promo, and tour dates. Louis Tomlinson did not get that memo. His first solo tour ran late due to the pandemic restrictions, meaning that by the time it concluded in September 2022, his second album, Faith In The Future, was scheduled to drop and tickets for the associated tour were ready to go on sale. 

“This tour went on sale last October or November ‒ basically a year in advance,” explains agent Holly Rowland, who represents Tomlinson, alongside Alex Hardee, internationally, while Wasserman Music colleagues Marty Diamond and Ash Mowry-Lewis do likewise for North America.

Despite that quick turnaround between tours, Rowland reports that ticket sales for the current tour are going very well indeed. “The first leg went through Scandinavia before doing the Baltics and Eastern Europe ‒ Romania, Bulgaria, and Greece ‒ places that most people, especially arena-level acts, don’t really go. And the second leg, which is more mainland Europe, started on 2 October.”

The tour is big. Very big for just a second outing in his own name.

Between May and July this year, Tomlinson played 39 dates in the US and Canada across a mix of amphitheaters, arenas, pavilions, and stadiums. In August, he returned to Europe, where he is currently in the midst of another 39 dates in arenas across the continent and the UK, which will take him to 18 November. Then, in early 2024, the Faith In The Future tour goes to Australia for two outdoor dates in Melbourne and Brisbane, before he takes the show to the country’s biggest indoor venue, the Qudos Bank Arena in Sydney. 

And, as IQ went to press, Tomlinson released dates for a return to Latin America in May 2024 for a mix of indoor and outdoor shows, including stadia, across Mexico, Argentina, Brazil, Chile, Colombia, Costa Rica, Panama, Paraguay, Puerto Rico, and Uruguay. 

“We’re going to Australia and part of Asia early next year,” states artist manager Matt Vines of London-based Seven 7 Management. “We then go into Latin America in May and June. And then we’ll handpick a selection of festivals next summer, before we draw the line on the campaign at the end of the summer.”

Rowland comments, “The tour before obviously was Covid tour where the date had to be chopped and changed. The positive aspect of that was that we were able to upgrade venues where that made sense. But it was really nice to start from scratch on this tour to make sure the routing was all going in the right direction.” She reports, “We’ve done nearly 16,000 tickets in Amsterdam, and 14,000 in Paris, which I think just underlines his credibility as an artist and his growing reputation among fans.”

Playing a major role in shifting that ticketing inventory is a network of promoters also enjoying Tomlinson’s rising star.

“On this tour, it’s mainly Live Nation ‒ we use a lot of the One Direction promoter,” explains Rowland. “But for Greece, we used Honeycomb Live, Charmenko did Romania, 8 Days A Week promoted the three shows in the Baltics, All Things Live did Finland, Fource are doing Prague, it’s Gadget in Switzerland, Atelier in Luxembourg, and when we get to the UK, it’s SJM, and MCD in Ireland.”

With a total of 39 European dates, Rowland split the outing into separate legs, scheduling a  break after Scandinavia, the Balkans, Baltics and Athens, Greece and another after mainland Europe ending in Zurich, Switzerland. 

“It's a perfect ratio, if I do say so myself,” she laughs. “It was right to split it up ‒ 39 dates in a long, long tour, especially with the American tour throughout the summer being 11 weeks! We made sure to schedule days off, for everyone to recharge their batteries.”

In Spain, Nacho Córdoba at Live Nation promoted Tomlinson’s shows in Bilbao, Madrid, and Barcelona and reports sell-outs at each of the arenas involved. 

“When Louis was last here, it was three days before the pandemic shut everything down in Spain. In fact, I think he played the final show before the market closed because of Covid,” says Córdoba. 

“Last year, Louis organised his Away From Home festival in Fuengirola, and that also sold out, so we know he has a big following in Spain, and we also know that Spanish fans are super loyal. So, on this tour we sold out 7,000 tickets at Bilbao Arena Miribilla, 13,600 tickets at WiZink in Madrid, and 11,200 at Palau St Jordi in Barcelona.”

Already looking forward to Tomlinson “and his fantastic team” returning on the next tour, Córdoba believes it will be important to see what happens with the next album ‒ and Tomlinson’s expectations ‒ before making any plans.

“The most important thing is to keep the fans happy and keep the momentum building with Louis,” he states. “I am a big fan of the arenas, because the atmosphere at his shows was incredible. So, rather than look at going bigger, it might be a case of looking at other arenas in other markets. Whatever he does, we cannot wait to have Louis back in Spain.”

Stefan Wyss at Gadget abc Entertainment in Switzerland promoted Tomlinson when he visited Zurich’s Hallenstadion on 23 October and explains that he previously played the city’s Halle 622 venue on the first tour.

Recalling that debut solo outing, Wyss tells IQ, “At first, we announced a mid-size theatre club show, 1,800-capacity, but it sold out instantly. Then we moved it to Halle 622, which it 3,500-cap, and that also sold out immediately, so it was a really big success.

“They’ve invested a lot in the production of this current tour, and it’s doing really strong numbers, so that’s why we decided to go to the arena this time around, where we set a mid-size capacity of 7,000, which is good for a small market like Switzerland, especially because he’s coming back just one year later and playing a much bigger show.”

Wyss adds, “He’s kept the ticket prices reasonable ‒ and he never wants to do any gold circle or VIP tickets. I think that’s why he’s so close to his fans, because it’s not about maximising profits. Another reason for his success is that in addition to attracting a mainstream audience, he’s also getting music lovers because he’s just a very good songwriter and has brilliant songs.”

Wyss also notes that with many young fans typically arriving the day before the concert, the responsibility to look after them is extended. “We set up toilets, we have security overnight, we give water away. It’s part of the organization that we will take care of the fans.”

Fresh from announcing 12 dates across Argentina, Brazil (x 3), Chile, Colombia, Costa Rica, Pery, Paraguay, Panama, Puerto Rico, and Uruguay, promoter Fabiano Lime de Queiroz at Move Concerts reports that Tomlinson will visit a mix of arenas, as well as stadiums in Santiago, São Paulo, and Buenos Aires during his May tour.

“Our first tour with Louis was supposed to be in 2020 and we’d booked half arenas everywhere ‒ 5,000-6,000 capacities,” he informs IQ. “Louis was one of those acts who connected very well with the fans during the pandemic, so when we shifted dates, first to 2021, and then to 2022, we ended up selling out and having to upgrade in certain metropolitan markets.”

“In Santiago, for instance, we’d sold out two full arenas of 13,000 cap, but then the government declared that for mass gatherings the numbers needed to be limited to 10,000 people.”

Rather than let fans down, Move added a third date, which again ended up selling out. “I remember being on a night plane from Miami, while Matt Vines was flying in from Dallas, and we were both using the aircraft wi-fi to negotiate via text for that third show,” says Queiroz. “It was an interesting way to confirm putting the third date on sale, just three days before the actual show!” 

He adds, “We’re taking a big bet on this tour when it comes to the number of cities and the capacities of the venues, but we’re hoping for the best and we’ve gone out strong. We feel that the artist is in a good moment and that the latest album has just created more interest, so we’re looking forward to when he arrives in May.”

Further north, Ocesa will prompte three dates in Mexico, including a stadium show at the F1 circuit, Autódromo Hermanos Rodríguez, deepening Tomlinson’s footprint in that crucial North America market. 

Meanwhile, in Tomlinson’s homeland, Jack Downling at SJM is promoting seven UK dates in November at arenas in Sheffield, Manchester, Glasgow, Brighton, Cardiff, London, and Birmingham, which will round out the European leg of the tour.

“SJM has done every show Louis has been involved with, including all the One Direction arena and stadium shows,” notes Dowling, adding that on the first tour, the London show was originally pencilled in as a Roundhouse, then two Roundhouse shows, before finally being upgraded to Wembley Arena.

“This time, The O2 arena show in London will be sold out, while all the others have passed the expectations of where we wanted to be on this tour. In fact, when the UK dates were announced, it ranked as the fourth most engaged tour on social media in SJM’s history ‒ his fans are just nuts.”

But Downling also reports that the fanbase for Tomlinson is expanding. “The demographics are pulling not just from pop but also from indie rock now.”

Downling adds, “Louis really looks after his fans. On the last tour they did a deal with Greggs {bakery chain} to give free food to the people waiting in line, as some of them camped out for days in advance.”

Ensuring his fans are looked after properly is the number-one priority in Tomlinson’s live career. 

Noting that Tomlinson’s audience comprises mainly young women and girls, Rowland reveals that, at the artists’s insistence, a safety team has been added to the tour to ensure everyone that attends his shows is looked after. “Thry manage all the safety within the shows for the fans,” she explains. “They came in for the Wembley show last year and have been with us ever since ‒ they’ve been beneficial to the running of the tour.”

“When he played in South America, some of his fans were camping outside for a month. So we have a responsibility to look after them. Coming to a show should be a safe space, it’s where they find joy, and we have a responsibility to protect that.”

Manager Vines comments, “One issue we came up against almost all last year was crushing and fans passing out. We adopted a system where we could communicate with fans, who could hold up a mobile phone with a flashing red-and-white sign if they were in trouble but then we’d see them all popping up.”

“I don’t know whether some of that was a hangover of the pandemic where fans just weren’t used to being in venues. But we experienced a number of situations where hydration and temperatures in venues became an issue. I know Billie Eilish went through similar issues.”

With Tomlinson determined to meet a duty of care towards his fans, Vines says that the team now sends a “considerable advance package” to promoters ahead of their tour dates. “Our safety team goes into venues in the morning and basically ensures that a number of different things are in place ‒ making sure that water is given to the fans, where the water comes from, and at what points in the show it happens.”

And on the crushing phenomena, he reports, “We’ve worked out how many fans it’s safe to have without a secondary barrier. So we instruct promoters to have certain barriers in place to relieve that pressure and avoid crushing.”

He adds, “I get detailed incident reports after each show, which lets myself and my management team know exactly what happened, and so far on this tour, we haven’t had any issues with crushing or hydration, which is fantastic.”

Production manager Craig Sherwood is impressed by the way the tour has pivoted to protect the ‘Louies’. “The welfare officers are vital for the young girls who are aged from, I guess, 14 upwards. They can get dehydrated and malnourished pretty quickly if they are camping out for days, so it’s important that we look out for their wellbeing,” says Sherwood.

Citing the extremes that the Louies will put themselves through in an effort to secure themselves prime positions at the front of the stage, Sherwood recalls, “The first show on our US tour was in February, and it was freezing, but we found out that girls had been camping out on the pavement for five days. It’s crazy, as we know these young girls are coming from all over the world to see Louis.”

However, Tomlinson’s connection with those fans is evident in the level of merchandise sales at each show. “It’s a huge part of our business,” says Vines. “In America, we averaged about $36 a head, and it’s not much shy of that in Europe ‒ we’ve set a few national records in terms of spend per head. But we spend a lot of time on merch plans, and we do venue-specific drops and give it a lot of care and attention, as it’s a really important element of Louis’ business.”

Making sure that the Faith In The Future tour delivers Tomlinson to his growing legion of fans, PM Sherwoord’s long association with artist manager Vines made him the obvious choice when the artist first began his solo career.

“I remember doing a lot of promo dates around the UK and US before we started touring properly,” says Sherwood of his work with Tomlinson. “In fact, one of the first shows I remember doing with Louis was in Madrid when he played in a stadium, and I could see it was a taste of things to come.”

The partnership between Sherwood and Vines is crucial.

“In terms of the show growing, our biggest challenge is keeping costs down, because we’re extremely cautious on ticket pricing,” says Vines. “We don’t do dynamic pricing, we don’t do platinium ticketing, we don’t do paid VIPs, we don’t increase ticket prices on aisle seats ‒ all those tricks that everyone does that most fans don’t know about: we don’t do any of those.”

“So, when it comes to the production side of things, we need to be incredibly careful. But I’ve been working with Craig for a decade, and he knows the importance of trying to keep costs as low as possible. For instance, we’ll run the show virtually a number of times so Louis can watch it with the show designer, Tom Taylor, make comments and tweak things. Then we’ll go into pre-production. But we try to do as much in virtual reality as possible before we take it into the physical world.”

Sherwood states, “Basically, we started out with two or three trucks, but now we’re up to nine, and things seem to be getting bigger day by day.”

Thankfully, Sherwood has amassed a vastly experienced crew over the years, allowing them to handle even the most unexpected scenarios. “I’ve been touring since the dawn of time, but the core crew I work with now have been together since about 2010, and I trust them implicitly, so I leave it up to them who they hire, as long as they think I’m going to like them, and they’ll get along with everyone. So far, it has worked well,” Sherwood reports.

And that veteran crew has dealt with some terrifying weather extremes on the current tour, including a show at Red Rocks in Colorado where the audience were subjected to a freak storm with golf ball-sized hailstones injuring dozens of people.

Elsewhere, the crew has had to act quickly when the threat of high winds in Nashville caused problems on that outdoor run. “We didn’t want the video screens blowing about above the heads of the band, so it must have been amusing for the audience to see us taking them down,” Sherwood reports.

Indoors in Europe, the environment has been more controllable. The production itself involves an A-stage set 180 degrees across the barricades, although Sherwood says that on occasion a catwalk is also used by the performers.

“It’s a great lighting show and fantastic for audio, as we have a phenomenal front-of-house sound engineer ‒ John Delf from Edge Studios ‒ who makes life very easy for the rest of us,” says Sherwood. He also namechecks Barrie Pitt (monitor engineer), Oli Crump (audio system designer), Tom Taylor (lighting designer), Sam Kenyon (lighting technical director), and Torin Arnold (stage manager), while he praises Solo-Tech for supplying the sound, and Colour Sound Experiment (CSE) for taking charge of lighting video, and rigging equipment.

Indeed, CSE has ten personnel out with the Faith In The Future tour. “We have eight screens on the road ‒ six on stage plus two IMAGS that we use wherever appropriate,” the company’s Haydn Cruickshank tells IQ.

“We need to tweak the rigging on a daily basis, as we move to different venues, but other than that it’s a fairly smooth process thanks to Craig Sherwood. He is old-school and planned and worked on the production very far in advance, which is a great scenario for all involved. Craig is definitely one of our favourite production managers to work with.”

Garry Lewis at bussing contractors Beat The Street is also a fan of PM Sherwood.

“Craig split the European tour into different runs. So, from Hamburg to Zurich, we had two super high-decker 12-berth buses for the tour party and two 16-berth double-deckers for the crew,” says Lewis. “After the show in Athens, we still have the two super high-deckers, as Louis loves them ‒ he prefers to spend time on the bus, rather than in hotels ‒ but we also have two 12-berth super high-deckers for the crew, as well as another crew 16-berth double-decker.”

Lewis continues, “We’ve worked with Craig for a good few years, and we have a great relationship with him. He plans everything way in advance, so it means it’s all very straightforward for us with no issues. So, we use single drivers for each bus, except on the longer runs or when our drivers are scheduled for prolonged breaks, and then we’ll fly in extra drivers as needed.”

With the production travelling to Australia in early 2024, before shifting to Latin America, Andy Lovell at Freight Minds is gearing up to become involved with Tomlinson once again.

“We did the Central and South America dates on the tour last year, and onto Mexico,” says Lovell. “It was very challenging back then as we were still coming back from Covid, and various systems and infrastructure were in pieces. But it all went well in the end, as we kept an eye on things and worked on it every day to make sure we had solutions to everything that was thrown our way.” 

Lovell continues, “Things on this tour kick in early next year for us. Historically, Australian services were quite reliable, as we could use any number of airlines. But post-pandemic, the number of long-haul flights still aren’t as frequent as they were. As a result, the production is being reverse engineered with the budget being worked out before we can see what we can afford to take as freight, and then we try to plan accordingly.”

“Similarly, in Central and South America there are still just a fraction of the flights operating, compared to pre-Covid, so that makes it very challenging. If there aren’t the flights to handle the gear, then you have to start looking at chartering aircraft, or alter your schedule, and that can become very expensive, very fast.”

With everyone working on the artist’s behalf to make sure the tour remains on track, being able to call on such experienced production experts is paying off on a daily basis.

Sherwood notes, “There are a few back-to-back shows over long distances that occasionally mean we don’t arrive at the next venue until 11am, rather than 6am. But we’ve never failed anywhere to open the doors on time, so we know we’re capable of getting things done, even if we have a late start at mid-day.”

Such dilemmas are not lost on agent Rowland. “It’s not so much the routing, it’s more like the timings, because Louis does have two support acts, so the show starts at 7 o’clock, and then when we’re done, we need to load out to get to the next show in good time for loading in the next morning and soundchecks, etc.”

Nonetheless, Sherwood admits that he loves the trickier venues and schedules. “Because I’m a dinosaur, I relish anything that makes things difficult or awkward for us on the production side of things,” he says. “I think everyone on the crew looks forward to challenges and finding the solutions to problems.”

Having amassed millions of fans through his association with One Direction, Tomlinson very much has a ‘pay it forward’ attitude to music and is building a reputation as a champion for emerging talent, wherever he performs. 

“He’s a great advocate for alternative music,” says manager Vines. “Louis realises that he’s in an incredibly privileged position in terms of what he can create in terms of awareness. He loves alternative music and indie music, and he understands how hard it is for that music to be heard. But we have this amazing platform where we can put these bands in front of these audiences as a showcase that allows them to build these authentic new audiences. It’s a hude part of his love of music, wanting to help younger bands.”

Rowland agrees. “He took an act called Andrew Cushin ‒ a very new artist ‒ on the road in America with him as his support, and he’s doing the same for Europe. Louis is a fan and is championing his career.”

Indeed, Tomlinson’s A&R skills have knock-on effects for his agent, too. “He asked me to confirm the Australian band Pacific Avenue as support for his Australian tour last year. The music was great and they didn’t have an agent, so now I’m representing them!” says Rowland.

As the European tour speeds toward its conclusion, agent Rowland is enjoying every minute of it.

“It’s incredible ‒ they’ve really stepped things up,” she says, fresh from seeing the show in Athens and Paris. “They’ve got 6 hanging LED screens on the stage, and the whole production just looks polished and professional.”

And Rowland is especially excited about next year’s Latin America dates, which will deliver her first stadium shows as an agent.

“The return to Latin America is going to be huge ‒ Louis is playing arenas and stadiums in South America and Mexico: 15 shows in 11 countries,” she says.

Vines is similarly enthused. Harking back to the Covid situation, when a show would go on sale, sell out, be postponed, and then rescheduled in a bigger venue, Vines says, “For example, in Chile, originally the show was scheduled at a 5,000-cap, half-capacity arena in Santiago. And what we ended up doing was three nights at 10,000-cap in that same venue.”

Vines contends that Tomlinson’s work ethic is outstanding. “He loves his fans, and he loves performing for them, it’s as simple as that,” he says. “He just loves being on the road and seeing how the songs connect live. In fact, the second album was very much written with the tour and live shows in mind ‒ ‘This song could work live,’ ‘This one will open the set,’ ‘This is the one we can do for the encore.’”

Another element to Tomlinson’s psyche has been his decision to visit places off the usual tour circuit. 

“Louis has a real desire to perform to fans in markets that are often overlooked,” says Rowland. 

Manager Vines explains that while the Covid-delayed first tour allowed them to upgrade venues pretty much everywhere, “On this tour, we’re a bit more competent on venue sizes, but we still speculate a little bit in different territories. In Europe, for example, we’ve gone into the Baltics and a number of different places to test the markets there, while in America, we are looking at A and B markets but also tertiary markets as well ‒ we go to places where people just don’t tour in America, just to see what the reaction is. That was something that very much interested Louis ‒ to play in front of people who don’t normally have gigs in their town. So there’s been a lot of experimentation on this tour in terms of where we go and what room to play.”

That concept is something that Vines has employed before. “I manage a band called Hurts who were pretty much overlooked by the British radio system and we have spent 15 years building a business outside of the UK. And that was built on going to play at those places where people didn’t normally go. They built to multiple arena level in Russia, for instance.”

“If you can build fanbases in lots of different places, you have festivals that you can play every summer, as well as youring those places. It allows you to have more consistency over a number of years, by having more opportunities.”

Such a strategy found a convert in Tomlinson. Vines tells IQ, “Louis also is extremely fan-focused in everything that he does. He comes at it from a perspective of ‘I want to take the show to them,’ meaning he’s always more willing to take the risky option to try something out.”

And the results? “It’s a combination,” concludes Vines. “There have been a couple of places where we now understand why tours don’t go there. But there are more places where it’s worked incredibly well. For example, we enjoyed incredibly good sales in Budapest. And overall, it’s allowing us to get a clearer idea, globally, of where the demand it, which will help us when we go into the next tour cycle.”